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Many of the footsteps, rustling clothes and small everyday sounds in a film are recreated after shooting by Foley artists, who perform them in a studio while watching the picture.

Academy Museum of Motion Pictures

ArtTechnologyMusic

The story behind the card

The craft is named after Jack Foley, who worked at Universal Pictures. When sound arrived in cinema, Universal's Show Boat (1929), begun as a silent film, needed sound added after filming, and Foley and his team performed effects live in time with the projected picture. He went on doing this work for about 30 years. Today Foley artists walk on trays of gravel, wood or concrete in different shoes, rub fabric close to the microphone and use props: cornstarch squeezed in a leather pouch, for example, sounds like footsteps in snow. The microphone on set mostly records dialogue, so these sounds are added separately, and a separate effects track is also needed when a film is dubbed into another language.

Türkçe oku
Bir filmde duyduğumuz ayak seslerinin, kumaş hışırtılarının ve küçük gündelik seslerin çoğu çekimden sonra yeniden yapılır. Bunları Foley sanatçıları, stüdyoda görüntüyü izleyerek canlı olarak seslendirir.

Bu zanaat, adını Universal Pictures'ta çalışan Jack Foley'den alır. Sinemaya ses geldiğinde, sessiz film olarak çekilmeye başlanan Show Boat'a (1929) çekimden sonra ses eklemek gerekti; Foley ve ekibi efektleri perdeye yansıyan görüntüyle eşzamanlı olarak canlı seslendirdi. Foley bu işi yaklaşık 30 yıl sürdürdü. Bugün Foley sanatçıları farklı ayakkabılarla çakıl, tahta ya da beton döşenmiş tablalarda yürür, mikrofonun önünde kumaş sürter, aksesuarlar kullanır: Örneğin deri bir kesenin içinde sıkılan mısır nişastası, karda yürüyen ayakların sesini verir. Setteki mikrofon çoğunlukla diyalogları kaydeder; bu yüzden bu sesler ayrıca eklenir. Film başka dillere dublajlanırken de bu ayrı efekt kaydına ihtiyaç duyulur.

Sources and further reading

Background reading: Foley (filmmaking)
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