In Plato's allegory of the cave, prisoners chained all their lives watch shadows on a wall and take them for the whole of reality. When one is freed and sees the sun, he realises the shadows were only copies, but on his return the others mock him.
The allegory opens Book VII of Plato's Republic, written around 375 BC, as a conversation between Socrates and Plato's brother Glaucon. The prisoners face the back wall of a cave; behind them a fire burns, and people carry objects past it, so the prisoners see only moving shadows and hear echoes. The freed prisoner is at first dazzled and in pain, and only slowly learns to see real things and, at last, the sun. Plato uses the sun to stand for the Form of the Good, the highest truth in his theory that perfect, unchanging Forms lie behind the changing world we see. Back in the dark, the returning prisoner stumbles, and the others say the journey ruined his eyes; they would even kill anyone who tried to free them, a clear echo of Socrates' own execution.




