Taking a new step, uttering a new word, is what people fear most.
Raskolnikov thinks this at the start of Crime and Punishment, which Fyodor Dostoevsky published in instalments in 1866. A poor former law student in St Petersburg, he slips past his landlady on a stifling July evening to rehearse a crime he has been brooding over. He mocks his own fear, then wonders whether he only talks because he does nothing. “A new word” returns later, in his article claiming that extraordinary people may break moral rules; the novel shows what that idea costs him.
















